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So I celebrate the opportunity to listen to it in Vilabertran and I wanted to write a short presentation; Today we'll listen to a profane song and next week, in a shorter post, to a sacred one.

Junior Recital: Nicole Goldstein, soprano and Marina Wright, soprano

We talked previously about the Italienisches Liederbuch , the next cycle that Wolf composed, so we can indicate some parallelism between the two of them. For example, two singers are needed to sing the whole cycle.

Dawn Upshaw; "Die Spröde"; Goethe-Lieder; Hugo Wolf

Some songs are assigned to a male voice, others to a female voice and the rest is to the free choice of singers. There are also similarities in the subject and the distribution between men and women, if we focus on profane songs: most are love songs, where the male songs tend to talk about suffering, idealized love while the female songs usually speak of passionate, carnal love.


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Finally, we don't find a trace of Spanish music in the Spanisches Liederbuch , as we don't find a trace of Italian Music in the Italienisches Liederbuch. There is at least an important difference between both cycles: the origin of the poems. It's no. I must admit that I find shocking the light atmosphere that accompanies the sorrow of the prisoner We use cookies to improve our website and your experience when using it Learn more. Email to a Friend.


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    Testament is an artist-based label, not restricted to any particular period of recording history, and its releases are selected from the archives of some of the largest record companies and radio stations in the world. With the permission and cooperation of these companies and stations. Testament releases previously unpublished and deleted recordings from their archives, using their original master tapes and 78rpm metal parts for CD remastering. Testament also has access to their extensive photographic archives and comprehensive research facilities.

    Testament is thus in a unique position and one that is enjoyed by no other independent record company specialising in the reissue of archive recordings. This sensitive, dynamic recording is a joy, and may even constitute a revelation.

    What would you call songs in the style of Die Sprode or Erlkonig, but in different language?

    The pair exhibits a refined style on these illuminating performances. A deeply affecting experience that ought to win the opera many new admirers. All three movements are so intricately packed with incident that one is tempted to simply let onesel [ This Weekend. Franz Schubert - Schubert Edition Vol. The Royal Ballet review: A sunlit and sparkling triple bill with a touch of autumnal warmth.

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